Tuesday, 5 July 2011
Hmm. Good but not the work that heralds a new beginning for contemporary opera, it's just not interesting enough for that. It's basically Prime Suspect set to music. Nico Muhly's score is richly textured and always feels as if it's about to bloom into something wonderful but in the end is constrained by the plodding drama's unrelenting darkness. Still, one highlight of the entire production has been ENO's rather brilliant video campaign which has gone viral on Youtube I hear.