By far and away the highlight of the evening, Maxwell Davies's new violin concerto was a brilliant evocation of a windswept Orkney (I didn't see the programme notes so if it isn't about that it certainly sounded it) full of swoops, swirls and crashes - all sewn together by Daniel Hope's lyrical, sometimes folky violin that ebbed and flowed through Maxwell Davies's landscape of technicoloured darkness.
It's a pity Sibelius's 5 Symphony that followed contained none of the same drama. Of course it does but this account by Gary Walker glossed over much of the score's detail. Dull.
And here's what I said on the BBC Proms blog